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I can think only if I'm pushed and shoved, surrounded by difficulties, with questions to answer, problems to solve, wild beasts to tame. "I love being alone with myself, and thinking. I could have lived off Gelsomina for twenty years! Why this insistence on sequels? Have they have so little imagination?" I could have earned a fortune selling her name to doll manufacturers, to sweet firms even Walt Disney wanted to make an animated cartoon about her.
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They didn't realise that in La Strada I has already said all I wanted to say about Gelsomina. To make Gelsomina on a Bicycle or anything with Gelsomina in the title. To make Il Bidone, which I was then planning? No. I was enormously disturbed, shocked, that the preview should be a flop because of the annoyance and indifference of the audience - those idiotic distributors of MGM films." But the script (for Rossellini's Rome, Open City) came out well precisely because it reflected this atmosphere. "The nine months in Rome under the Germans was really something even someone who stayed in bed all day with his eyes closed and ears plugged could feel the fear that never let up, day or night. This is probably down to my selfishness: if I can't do what I want, I'd sooner do nothing." I fight to get the sort of conditions in which I can work in peace.
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"No producer has ever controlled my work and I have always done what I wanted. I am not blasé about anything." "The nine months in Rome under the Germans was really something even someone who stayed in bed all day with his eyes cl This is probably down to my selfishness: if I can't do what I want, I'd sooner do nothing." "I believe everything I'm told. Here, Fellini reveals, as no one else can, a rich digest of his brilliant and controversial career.more There are boyhood memories of his hometown, Remini, and his highly improbable beginnings as a scriptwriter for Rossellini letters to Jesuit priests and Marxist critics defending his first international success, La Strada anecdotes and revelations about the making of La Dolca Vita, 8 1/2, and The Clowns and insights into all aspects of filmmaking. Critics have accused him of being a charlatan, hypocrite, clown, and demon, and have hailed him as a magician, poet, genius, and prophet.įellini on Fellini is a fascinating collection of his articles, interviews, essays, reminiscences, and table talk, carefully arranged to chart the progress of his life and work. His prodigious body of work evokes Pirandello, existentialism, "the silence of God," as well as show business. One of the greatest Italian filmmakers, Federico Fellini (1920-1993) created such masterpieces as La Strada, La Dolce Vita, 8 1/2, Juliet of the Spirits, Satyricon, and Amarcord. The material interestingly helps clarify Fellini's film work, and his fans will enjoy this stimulating and intellectual 'biography.'"- Library Journal The material interestingly helps clarify Fellini's film work, and his fans will enjoy this stimulating and intellectual 'biography.'"- Library Journal One of the greatest Italian filmmakers, Federico Fellini (1920-1993) created such masterpieces as La Strada, La Dolce Vita, 8 1/2, Juliet of the Spirits, Satyricon, and Amarcord "Provides a well-rounded view of Fellini. "Provides a well-rounded view of Fellini.