Granted it leads with a showy title but Uddin does more. Published in 2015, REKKA was instantly popular. All of them have one thing in common: they were supposed to meet a woman in Sundarpur, the small town situated at the border of India-Bangladesh. In between young men from the city go missing. To know more, he strikes a friendship with local police informer Atar Ali (Anirban Chakraborty in an impressive turn), a man convinced Mushkan is a witch. But he is more drawn by Mushkan, curious about what unfolds inside her house and not just the restaurant. One day Nirupam Chanda (Bose), a “journalist” comes to the place, seemingly to do a story. Her almost other-wordly charm enchants patrons, police officers and MLA(s) alike. People from far and wide come to Sundarpur to eat. Very little is known about Mushkan Juberi (Azmeri Haque Badhon) except that she lives with a house-help and runs an eatery.
RABINDRANATH EKHANE KOKHONO KHETE ASEN NI MOVIE SERIES
It distills everything Mukherji is known for -derivative aesthetics - and everything he will be known for - incompetent use of Tagore songs.Īdapted from Bangladeshi author Mohammad Nazim Uddin’s novel of the same name, Rabindranath Ekhane Kokhono Khete Asenni ( REKKA) is a nine-part series that centers on a restaurant, where as the name suggests, the bard had never come to eat, and its equally intriguing owner.
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Srijit Mukherji erases that memory in Rabindranath Ekhane Kokhono Khete Asenni by placing Bose in worse circumstances - first by making him speak in Bengali, which the actor does like he is chewing on rocks, and later giving him a show-stealing scene that entails standing on the balcony of a high-rise, raging with comical vigour while a Rabindranath Tagore song floats in the background. It occurs briefly but is painful to watch for just how uncomfortable he looks. Until now the most embarrassing moment for Rahul Bose on screen was a fleeting instance in Zoya Akhtar’s Dil Dhadakne Do where the actor, known for his sombre roles, whistled and danced on a cruise.